Lemmy - RazBot

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This instance is hosted in the UK.

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Offered Lemmy Frontends:

Status Information:

The status page is status.razbot.xyz.
All lemmy related services run on the "Raz Dedicated Server" and the "Lemmy Instance" is lemmy.razbot.xyz, which runs on the dedi, but the uptime monitor checks that the actual page is loading correctly.

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If you want to donate, I have a paypal link here.

founded 2 years ago
ADMINS
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Just learned that POCKET will shut down in July 2025. It is a great service to collect articles on various devices and read later on a tablet & offline.

Which alternatives are out there?

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cross-posted from: https://rss.ponder.cat/post/189199

Tom Cruise’s press tour for the latest “Mission: Impossible” movie serves as a celebration of an industry.


From NYT > Top Stories via this RSS feed

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Hello folks,

I have a mini PC which I use to host my website and some lightweight services. The mini PC idles at ~10% cpu usage. I was wondering if I can contribute 90% of CPU to the community. Thinking that maybe I can host other people's websites for free.

How can I do that? Should I host some fediverse software? What do I do with this much processing power?

Thanks in advance!

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Summary

A fugitive alien helps a lonely Hawaiian girl mend her broken family.

Director

Dean Fleischer Camp

Writers

Chris Kekaniokalani Bright, Mike Van Waes

Cast

  • Maia Kealoha
  • Sydney Elizebeth Agudong
  • Billy Magnussen
  • Tia Carrere
  • Hannah Waddingham
  • Chris Sanders
  • Courtney B. Vance
  • Zach Galifianakis

Rotten Tomatoes: 72%

Metacritic: 54

VOD: Theaters

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Summary

Ethan Hunt and his IMF team embark on their most perilous mission yet: to track down a rogue AI known as "The Entity" before it triggers a global catastrophe. As the team races against time, they confront deadly adversaries and face personal sacrifices that test their limits.

Director

Christopher McQuarrie

Writers

Bruce Geller, Erik Jendresen, Christopher McQuarrie

Cast

  • Tom Cruise
  • Hayley Atwell
  • Ving Rhames
  • Simon Pegg
  • Esai Morales
  • Pom Klementieff
  • Henry Czerny
  • Angela Bassett
  • Holt McCallany
  • Janet McTeer
  • Nick Offerman
  • Hannah Waddingham
  • Tramell Tillman
  • Shea Whigham
  • Greg Tarzan Davis
  • Charles Parnell
  • Mark Gatiss
  • Rolf Saxon
  • Lucy Tulugarjuk
  • Katy O'Brian
  • Stephen Oyoung

Rotten Tomatoes: 83%

Metacritic: 69

VOD: Theaters

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Do you agree that Brexit has been "a pointless waste of time, money and effort"?

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  • Anthropic’s new Claude 4 features an aspect that may be cause for concern.
  • The company’s latest safety report says the AI model attempted to “blackmail” developers.
  • It resorted to such tactics in a bid of self-preservation.
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The thing I hate the most about AI and it's ease of access; the slow, painful death of the hacker soul—brought not by war or scarcity, but by convenience. By buttons. By bots. [...]

There was once magic here. There was once madness.

Kids would stay up all night on IRC with bloodshot eyes, trying to render a cube in OpenGL without segfaulting their future. They cared. They would install Gentoo on a toaster just to see if it’d boot. They knew the smell of burnt voltage regulators and the exact line of assembly where Doom hit 10 FPS on their calculator. These were artists. They wrote code like jazz musicians—full of rage, precision, and divine chaos.

Now? We’re building a world where that curiosity gets lobotomized at the door. Some poor bastard—born to be great—is going to get told to "review this AI-generated patchset" for eight hours a day, until all that wonder calcifies into apathy. The terminal will become a spreadsheet. The debugger a coffin.

Unusually well-written piece on the threat AI poses to programming as an art form.

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Ibis is a federated encyclopedia with numerous features. If you want to start a wiki for a TV series, a videogame, or an open source project then Ibis is for you! You can register on an existing instance or install it on your own server. Then you can start editing on the topic of your choice, and connect to other Ibis instances for different topics. Federation ensures that articles get mirrored across many servers, and can be read even if the original instance goes down. Ibis is written in Rust and Webassembly, fully open source to make future enshittification impossible.


With this version Ibis can finally federate with other Fediverse platforms such as Lemmy (example) and others. If you notice any federation problems please open an issue. Note that Mastodon currently ignores activities sent by Ibis for unknown reasons. See the article for more details how federation works.

There are many improvements to signup and account management. Admins can configure OAuth so that users can login with existing accounts from other platforms. Email is also supported now, with a config option email_required to enable email verification for new users. Notifications can also be sent by email if desired. And there is an account settings page to change password and email.

When creating a new article, users can choose which instance it should reside on. Admins can remove articles, making the config option article_approval obsolete. Various other parts of the api were also changed. Additionally the code was split into different crates for faster development. There have also been many bug fixes and minor improvements.

If you are interested what a federated wiki can do, join and give it a try. You can register on ibis.wiki, open.ibis.wiki or other instances. You can also install Ibis on your own server. It is very lightweight and can easily run on an existing server alongside other software. This release includes an additional installation method using Docker. To discuss the project, report problems or get support use the following links:

Lemmy | Matrix | Github

Here is a (somewhat messy) list of all the changes in this version.

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So...yeah. Seems MS, in their endless wisdom has decided to rename their virtual desktop software, called before as "Remote Desktop" (and good luck trying to find issues with that that are not related to the old RDP tool MTSC.exe) to.... "Windows App". Perfect. Now everything will look like everything, and there's no way to ever try to search for help for it. Next in line, I guess they can call it just "App". I'm sure that will help everyone.

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submitted 7 hours ago* (last edited 6 hours ago) by [email protected] to c/[email protected]
 
 

I removed the link to the article, since the article is on Medium, and Medium is becoming a shithole too. So here is the article. It was written by JA Westenberg and she's at https://www.joanwestenberg.com/

Subscription payments are the best thing that ever happened to software companies. And they’re arguably the worst thing that ever happened to their customers.

When I started as an aspiring digital artist in the early 2000s, saving up to purchase software like Adobe Photoshop felt like an investment — once bought, it was mine to use indefinitely. I remember putting away dollars from my paper route to buy my first copy as a kid, already dreaming about my future as a creator.

Later, as a teenager working at McDonald’s, I repeated the ritual of patient saving until I could finally purchase music production software such as Ableton Live. Owning those tools outright meant using them freely without worrying about ongoing costs. My creative output wasn’t bound to what I could afford month-to-month.

Now, companies like Adobe solely offer subscriptions — monthly fees and essentially renting in perpetuity. We no longer own our software; we pay a licensing fee.

This gives us access to regular updates, but it also means the sword of Damocles hangs over creatives — miss a payment, lose access. The freedom of creation I once relished has been supplanted by nagging financial anxiety. I miss the days when the tools felt like mine, not someone else’s borrowed goods, and when I didn’t open up a tool and wonder how much longer I’d be able to keep using it.

The Drawbacks for Customers Here’s the drawback. If I live as long as I want, paying for Photoshop every month will be very, very bloody expensive.

Yes, subscriptions provide convenience and access to varied services and products. But convenience just isn’t enough.

Psychologically, subscriptions drive overconsumption. Our paychecks are eaten away in advance before we realise how many 30-day free trials and monthly tithes we’ve committed ourselves to. And while the subscriptions seem small enough on paper, their cumulative cost is straining the budget for consumers and creatives.

We’re told repeatedly that it’s just the price of one coffee a month, but the combined cost of every single tool, service, app and game demanding one coffee a month becomes the equivalent of paying for enough caffeine to poison even the strongest constitution.

The proliferation of subscription services has led to increasing fragmentation of content. As platforms vie for customer attention, consumers confront myriad fragmented options, each requiring an individual subscription. This results in higher costs for accessing content and a disempowering user experience of juggling multiple platforms and subscriptions. The promised convenience of subscriptions is eroded, leaving customers questioning the true benefits.

It’s easy to understand why company after company is shifting their model. The allure of stability is compelling, and subscription payment models provide just that for businesses. Rather than relying on sporadic one-time purchases, companies can enjoy consistent, predictable revenue streams month after month thanks to loyal subscribers. This stable financial base allows businesses to plan for and invest in future growth, pleasing investors and looking good on paper. But that stability is hardly a victory for users who just want good software and aren’t particularly interested in quarterly earnings reports.

Customer loyalty is the holy grail for companies, and in theory, subscriptions foster (aka coerce) enduring relationships with customers, reducing the risk of losing them to competitors. This is achieved through the “lock-in effect,” where the convenience and perceived value of continuing a subscription discourages customers from seeking alternatives.

But instead of using the foundation of a subscription to cultivate long-term relationships and capitalize on increased customer lifetime value, companies treat users like a Sure Thing, taking them for granted and adding little in terms of value to justify the monthly fee.

There’s a popular argument that subscription payment models championed entrepreneurs and startups, levelling the playing field in an industry historically dominated by major players. It allows smaller companies to enter the marketplace with minimal upfront costs and directly compete with industry giants. But when all these startups want to do is sell more subscription services, it starts to seem at least a little Ponzi-esque.

And then there’s the unfortunate reality that when the economy is tanking, rents are going up, housing is unattainable, food is an arm and a leg, and it’s too expensive to put petrol in the car, more than a few users are going to look at the laundry list of adorably vowel-averse SaaS startups they keep throwing their money at and ask whether they actually need them. There’s a perfectly good email app that comes pre-installed on their phones. The same goes for the To-Do list and Notes apps. At some point, the subscription creep stops making sense.

The ongoing commitment of subscriptions is a massive burden, limiting our flexibility to adapt our spending as needs change. This financial load becomes a significant barrier to achieving financial well-being. We’re stuck in a subscription payment hamster wheel. And something is going to have to give.

Companies recognizing the potential drawbacks of subscriptions have started innovating within the model. Some offer flexible subscription options, allowing customers to pay for services or products on a usage basis. Others are exploring bundled subscriptions, providing diverse content or services at a reduced cost. These approaches address customer concerns while maintaining business benefits by prioritising customer value and flexibility.

But they’re still dodging around one simple fact. The best way for consumers to access software is to buy an app that does what they need and then choose whether or not to upgrade to the next version later. It’s a model that doesn’t require a spreadsheet of monthly expenses to wrangle alongside gas, electricity and medical bills. Although I’m sure there’s a subscription-based app to make it all easier. Roughly the cost of a coffee a month?

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Hey Lemmy!

I have an app that keeps showing a pop up that it "doesn't run without Google play services". It in fact runs just fine, except for the pop up, which is extremely annoying. What are my options for removing it? And, how do apps know that I don't have Google play services?

extra details

  • I use LineageOS 21 on Android 14

  • the app is the paid version of TripView (installed via Aurora Store)

  • I tried installing microG, but it didn't remove the pop up—maybe because I haven't set up the "system spoof signature" option. But even if I do set it up, I'm concerned about:

    1. microG running some background services, wasting battery (because the app functions without any extra services)

    2. unnecessarily connecting/sending information to Google's servers

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I know there's other "read it later" services around, but I don't know if Fakespot has any good alternatives.

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Spotify sync web gui (downonthestreet.eu)
submitted 4 hours ago* (last edited 3 hours ago) by [email protected] to c/[email protected]
 
 

Hi fellow selfhosters!

i pay (i know, i know) for Spotify Premium and i would like to progressively build my self-hosted music collection leveraging the fact that i am a paying customer and i would hate if the pull songs under my rug over time.

Any good self-hostable approach here? Ideally, the flow would be:

  • I listen to spotify on my mobile devices, add songs to playlists and such
  • my self-host setup syncs those playlists
  • ... and download the songs using my paid for premium account from spotify itself
  • Doean't really needs to be web-based, i can access my server anbd run anything CLI based or even plain old GUI (linux).

I don't want fake solutions that use Google Music or Deezer to download, i pay spotify and expect somehow to be able to download 320Kbps music from it.

The overall process can be manual, but better automated.

I already have lidarr, but it's basically impossible to download the same music from it, at least not the music i listen to.

A viable workaround could be something that builds by spotify playlists using what music i have downloaded with lidarr, maybe notifying me what is missing...

EDIT: somebody pointed out this is against Spotify TOS. Anyway i found a solution using Spotizerr, which is a self-hosted web app that does exactly what i was looking for. You still need a paid spotify account unless you want to download low-res from Deezer.

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