myrmidex

joined 1 year ago
[–] [email protected] 2 points 1 week ago

Thomas MacDonald (born September 21, 1988) is a Canadian rapper and singer. He is known for his anti-establishment subject matter in his music, in which he also criticizes "woke" culture, herd behavior and groupthink. In 2024, he emerged as a figurehead of "MAGA rap", a Trumpist subgenre of hip hop.

wikipedia

[–] [email protected] 1 points 3 weeks ago

Still, there might be psychological changes because of immortality. Survival instinct might grow even stronger the longer one lives, a bit like sunk-cost fallacy. Or if death becomes something exotic, of times long passed, it might no longer be regarded as a serious option, similar to how we've grown opposed to sacrificing virgins, or to using Myspace or Windows.

[–] [email protected] 1 points 3 weeks ago (2 children)

I had the same hope when I was younger. Later on I imagined the last star dying and the utter dread the immortals would have to face.

Also: obligatory Mitchell & Webb sketch

 

Last June, fans of Comedy Central – the long-running channel behind beloved programmes such as The Daily Show and South Park – received an unwelcome surprise. Paramount Global, Comedy Central’s parent company, unceremoniously purged the vast repository of video content on the channel’s website, which dated back to the late 1990s.

Every Daily Show episode since Jon Stewart took over as host in 1999? Disappeared. The historic remains of The Colbert Report? Disappeared. Presumably, one hopes, those materials remain archived internally somewhere, but for the general masses, they’re kaput. Instead, the links redirect visitors to Paramount+, a streaming service whose offerings pale in comparison. (The service offers recent seasons of the Daily Show to paying subscribers, but only a fraction of the prior archive.)

Such digital demolitions are becoming routine. For fans and scholars of pop culture, 2024 may go down as the year the internet shrank. Despite the immense archiving capabilities of the internet, we’re living through an age of mass deletion, a moment when entertainment and media corporations see themselves not as custodians of valuable cultural history, once freely available, but as ruthless maximisers of profit. Those of us who believe in the historical value of accessing media from the past are paying the price.

[–] [email protected] 1 points 9 months ago

no indeed, I don't think it's that specific. I mainly browse the weekly exploration playlist, based on my listens, which either recommends other of my favorite songs that I hadn't listened yet, or unknown songs that usually fit my styles. Enough for me to cut the subscriptions 🥳

[–] [email protected] 10 points 9 months ago (4 children)

I second this, very nice indeed!

I also use their Picard software to check the downloaded album, then it updates the metadata automatically and places them in the appropriate folder structure.

[–] [email protected] 3 points 11 months ago

The future might seem far off, but it starts right now.

[–] [email protected] 20 points 1 year ago

Looks like something out of Trainspotting

[–] [email protected] 1 points 1 year ago

When the CEO let everybody work from home except for a female junior dev on my team. Not sure whether it was because she's female or an immigrant, but the two of us had other jobs within a month. Fuck these powertripping CEOs.