SamsonSeinfelder

joined 1 year ago
[–] [email protected] 8 points 7 months ago

This company is insufferable.

[–] [email protected] 7 points 7 months ago

Rudy Giuliani?

[–] [email protected] 8 points 7 months ago (2 children)

There is nothing holding them back to change their decision tomorrow or next week. there are no consumer rights or even citizen rights to their own data like the EU developed in the last 10 years. There is no leash on companies to pause or continue this behavior anytime the feel like it.

[–] [email protected] 43 points 7 months ago* (last edited 7 months ago) (21 children)

why do we say "black panther" if panthers are always black?

[–] [email protected] 48 points 8 months ago (2 children)

A real perpetrator will have a local LLM running like stable diffusion and will not need Midjourneys SAAS. Alone for opsec reasons will no adversary use a US hosted platform to create their propaganda. This will stop domestic jokers, but will not stop concerted foreign operations in any way.

[–] [email protected] 31 points 8 months ago (1 children)

Bought to you by:

  • The 50's, where every utensil from car to ovens will have it's own nuclear reactor in the future
  • The 60's, where Mankind soon will travel through starsystems and vacations on the moon are possible
  • The 70's, where people thought that in a few years Neutron-Brains will be created that work just like the human brain
  • The 80's, where it was said that in the year 2000 we will have flying cars and hoverboards
  • The 90's, where the internet took off and soon nobody will ever send letters again
  • The 00's, that soon self driving cars will take over all transport business
  • The 10's, where a magical working all-knowing Siri/Alexa/Cortana voice will be the way people will interact with at home and on the go
  • Now the 20's, where AI will be able to recreate talent and come up with genuine new ideas never before seen by mankind

I do not think AI can recreate talent or art. AI can imitate art and copy already existing art and melt it to something new. But an Artist-AI can not take two noses of coke, one bottle of vodka and come up with a novel new concept of creative work. Sure it will come up with things never seen before, but will it resonate with people or will it just be weird, quirky or empty? It is not enough to render an image of a diamond skull, you actually have to build it like Damien Hirst. Artist of the type of Banksy, Dali and Francis Bacon will not get replaced by AI. AI will not stand in the streets spraying walls, AI will not get off board off a ship in New York holding a human-long bread and AI will certainly not be able to draw triptychs of pain and suffering based on the death of his friend. AI will copy something that looks like it, but it will not have the "Talent" or the depth to make it believable and knit a story around it and know the people to communicate to. It most certainly will be used to subvert people on social media to vote against their interests and radicalize opinions. That is it's talent.

[–] [email protected] 194 points 8 months ago (32 children)

Me for the rest of the week:

[–] [email protected] 102 points 8 months ago (1 children)

My government makes offside backups of my phone data constantly. The problem is they do not give it back when I need them.

[–] [email protected] 35 points 8 months ago* (last edited 8 months ago) (2 children)

Always has been meme

[–] [email protected] 9 points 8 months ago

Vice Shoes dropping soon. You heard it here first!

[–] [email protected] 39 points 8 months ago* (last edited 8 months ago)

Same reason people buy land and build a house on it: It is in their control. If I host my content on some plattform, I have to bow to their TOS/Tracking/Changes and am more like a tolerated tennant. But they are the HOA that can tell me what they want and do not want regarding content, frontend and backend. I also most possible have to allow them to use my work for their own benefit. If it is free, maybe they profit from you.

People do not get that having your own URL, your own Email and your own Websites, was the most common thing in the past. I staked my claim like the settlers going west. I own my acre of digital Land. I am free to do what ever I want on my property and nobody can take it away as long as I pay 5$ a year for the domain. That is 50$ in 10 years. That is 400$ for my whole life. For a place that I call mine. My digital Landscape. This is my space. There are many spaces out there, but this is the acre I am gonna develop.

Of course I could rent a room in the city by giving away my privacy or the control. And there are many good reasons to do this. But having your own piece of the internet is what makes me feeling more like a part of that net and not just be a cow in someone else shed.

[–] [email protected] 19 points 8 months ago (1 children)

They are a mix of small sorting games with a time limit and visual quizzes that can get really hard to solve. There was one where you have to rotate three small round pictures inside another picture to match the background picture that is basically just noise. Every market has its own multistep captcha system and they change quite a lot. Some are creative, some are just nightmare. The hardest ones are those where you have to solve multiple rotations of miniature „pictures“ that are like ultra close ups of things with an extreme compression and noise and somehow you have to decide if they are houses or bridges. The compression is so bad, you can barely even make out what those rotated 30x30 grey pixel smush are. And there are 6 of them you have to solve in a certain time. I ran into timeouts constantly and have to start over.

 

100 Years is apparently a short film. Rodriguez stated in a 2019 interview:

I was making several short films for them, and I finished that one first, we shot that one first, I thought that was gonna be a commercial or something. And then I showed them the movie and they said "Yeah, that's great, that's great. That's the one we lock away." And I said, "What? That's the one you lock away? What about the other one with the future..." "No, that's the commercial."


I found out while watching an Interview with Claudio Miranda and after that checking his Filmography section on Wikipedia

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