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I used to dislike Taylor Swift along with all other contemporary pop stars. Maybe even a little bit more, because she had the audacity to call herself Country: Spitting in the face of personal heroes like Kristofferson, Nelson, and Cash.
Then I stopped being an edgy teenager, Swift released Shake it Off, and I had to recognize it was a fun song to dance to. In an ironic kind of way of course, but nevertheless.
And then, in 2015, Ryan Adams released his cover album of Swift's 1989, playing every single song on the album in a folksy way. I dug it. And with it, I had to appreciate that Taylor Swift is one hell of a songwriter: I loved the songs, I just don't love the sound of pop music all that much. That's personal taste, not everything I dislike is bad.
Then Ryan Adams fell from grace with metoo, so fuck him. At least it triggered Father John Misty to publish (and later remove) his legendary covers of Swift in the style of the Velvet Underground.
Fast forward to 2020, and Taylor Swift dabbles with music I can actually enjoy listening to with her album folklore. Pretty cool. I actually got my expectations up for her next album, evermore, low-key hoping that it would be musically inspired by the Battle of Evermore. Sadly I was wrong, but again, it's a matter of personal preferences.
What matters more is the fact that she's reinventing herself from album to album - she's successful in one formula, and she just ditches it and moves on to something different. And every time she does it, she seems to be even more successful than the last time. Her growth as an artist is astonishing.
Finally, she's just cool. Fuck the labels - she'll just casually re-records her entire discography in order to take back control of her songs. She's caught up in all kinds of stupid celebrity drama, but it tends to be the rest of the industry falling over like toddlers trying to drag her into shit for PR while she acts like the only adult in the room. She also scores points for casually hanging out with Billy Bragg and encouraging people to vote and shit.
I'm fine with pop, there are plenty of pop songs I've liked, and I can recognize how since of her songs are fun, I'm curious why she receives dozens of rewards.
Your point about successful in one formula, and then ditches it and moved on to something different
Do you think that happens with every album, or is there a specific example you're thinking about?
Oh I want to add, it's definitely very cool to re-record your discography.
So I'm not exactly an expert, I just have some friends who are Swifties and I enjoy sometimes hearing people out about what they're interested in over a beer. But I'll give a shot at answering based on my limited knowledge.
I don't think Swift makes a point out of reinventing herself every time. I guess she had her country phase until Red in 2012 (We Are Never Ever Getting Back Together), and perfected pop in 2014 with 1989 and Shake it Off, Blank Space and all that. The following two albums I know nothing about, but Wikipedia lists them as electropop. And then she completely changes her sound in 2020 with folklore, suddenly being more folksy and reaching an audience of middle aged male music reviewers who had previously not shown any interest in her music. Somehow the fans of her older albums loved it as well, so her fan-base only expanded.
Evermore is kind of a continuation of folklore. I find it to be a little bit more poppy at times, but it's not a huge change of direction, and kind of builds on the same universe (low-key and lower-key). Midnights however, which is her final album to date, is again something completely different: A full blown concept album, and musically again a complete change of direction. A Swiftie friend of mine said she had to give it a couple of spins before she got into it, but that it's now one of her favourites. As a prog rock fan, that sounds about right to me for a concept album.
Personally I started listening to Midnights for the first time ever while writing this post, and I gotta say the opening tune Lavender Haze has some fun things going on in it. The music is interesting, the songwriting is original, and she's a talented performer with a likeable persona. I'm not very surprised she receives her awards.
#taylorswift
Okay, that's pretty interesting. I don't believe you that you are not a swifty, not even at all, but I really appreciate your input because I think it touched on a lot of important things.
I also love just listening to people explain their passion to me over a beer, and I've had a couple while this thread has been building, and I'm having a great time trying to understand this phenomenon.
I also want to say that I keep watching or listening to every song that someone has mentioned in the comments so that I can see from their perspective what they're talking about, and I'm more cinema oriented than music oriented, and she is incredibly talented at the"hidden" glances and whoever her producers and editors are on every music video I've seen are just killing it making her appear charming, which cannot be a small part of her appeal.
Okay, I'm going to go listen to this folklore album you're talking about now and trying to figure out what's going on there also.
Appreciated, thanks. So this one's called evermore no wait what f*** Wait folklores the