rahmad

Beards are pretty popular these days, as is the 'stubbley' look.

Was it? It was fine -- that thing you throw on because you've watched most of everything else that fills that kind of derivative political action conspiracy thriller. Not particularly intelligent, not particularly funny, a loose enough plot that you can be paying attention once every 5 minutes and get by. Some folks get shot. There's a conspiracy ooooOOOOoooh.

Maybe that's what defines good these days, when content is just a glut of mediocrity.

I was shocked it was up top the list in terms of 'quality,' but I watched it because, it was there... So, I guess that explains it?

The Recruit (similar vein) was a superior show in terms of quality. Recommend that if you need a quick fix.

Apple licenses the content from the creators -- that's true of almost every network and many film distributors as well.

Few distributors make their content in house. 'Netflix Original ' doesn't mean it was made by 'Netflix Studios' -- they don't exist. What happened was (for a series) that either a complete season or a pilot was shopped around, and Netflix bought the (exclusive) rights, which made that piece of content a Netflix Original. For films, they have usually already been made and are in a limited theatrical run (eg. Festivals) or are being shopped around privately. I imagine a limited few have distribution deals made prior to production, but that's still not 'Netflix' (or Apple) making that content.

Apples launch content (eg. Ted Lasso) was produced to prop up the platform, but the method by which that content was discovered, funded and then licensed is not much different from how a traditional network (like NBC) might function.

Not enough shoutouts for Shrinking here...

Ted Lasso is definitely holding up the platform, no disagreement, but there's some other great content there as well. Prehistoric Planet, too.

Err... im not sure everyone in this thread is getting the joke?

I'm not sure what kind of role you had in the industry, but I'm not sure what you're saying is entirely accurate... although there are some bits in there I agree with:

Lots of programmers and artists don't really care about the final game, they only care about their little part.

Accurate. And that's ok. A programmer whose job it is to optimize the physics of bullet ricochet against thirteen different kind of materials can go really deep on that, and they don't need to (or have time to) zoom out and care about the entire game. That's fine. They have a job that is often highly specialized, has been given to them by production and they have to deliver on time and at quality. Why is that a problem? You use the corrolary of film, and nobody cares if the gaffer understands the subtext of the Act 3 arc.... it's not their job.

Game designers and UX designers are often clueless and lacking in gaming experience. Some of the mistakes they make could be avoided by asking literaly anyone who play games.

Which one? A game designer lacking in gaming experience likely wouldn't get hired anywhere that has an ounce of standard. A UX designer without gaming experience might get hired, but UX is about communication, intuition and flow. A UX designer who worked on surgical software tooling could still be an effective member of a game dev team if their fundamentals are strong.

Investors and publishers often know very little to almost nothing about gameplay and technology and will rely purely on aesthetic and story.

Again, which one? Investors probably don't know much about the specifics of gameplay or game design because they don't need to, they need to understand ROI, a studio's ability to deliver on time, at budget and quality, and the likely total obtainable market based on genre and fit.

Publishers -- depending on whether you are talking about mobile or console/box model -- will usually be intimately familiar with how to position a product for market, what KPIs (key performance indicators) to target and how to optimize within the available budget.

This is why you have some indie devs kicking big studio butts with sometime less than 1% the ressources.

This has happened. I'm not sure it's an actual trend. There are lots of misses in the game industry. Making successful products is hard -- it's hard at the indie level, it's hard at the AAA level. I would estimate there are a thousand failed Indies for every one you call out as 'kicking a big studio's butt.' Lots of failed AAA titles too. It's just how it goes.

The same, by the way, is true of film, TV, books and music. A lot of misses go into making a hit. Cultural products are hard to make, and nobody has the formula for success. Most teams try, fail, then try again. Sometimes, they succeed.

I've heard them referred to as Hypnic Jerks.

Smells like... Victory?

1 Well that's just, like, your opinion, man.

2 No shootout?!? No shootout?!????

3 The horror.... The horror....

4 Pop quiz, hotshot....

5 Draw me like one of your French girls..

6 Tetsuo???? Kaneda!!!!

7 on this, the day of your daughter's wedding...