ragebutt

On device isn’t always ideal. I don’t use immich because i don’t have a large photo library. But I do use komga. Nextcloud can sort and manage epub/pdf like komga but as poVoq said, the specialized solution is superior

This point is where on device app is not the ideal situation, for me at least. These apps exist. Tachiyomi and the resultant forks can import a local library. And frankly even a somewhat massive local library can fit on a cheap SD card

The point of the server is portability. With this I have portability across my devices. My library, reading status, metadata, etc is available on all devices. I can read a book on my ereader, close it, the status is synced. I can pick up from my laptop and the same thing occurs. I can pick up from my phone, download the book to my device, and keep reading while I’m away from home. If I wanted to I could open remote access to my server and avoid the need for downloading the books but that’s a whole thing

I don’t think it would make sense to run a server solely for this but it’s a service that doesn’t take much in terms of resources and I read a lot.

Yeah there are plenty of apps that can rip from tidal, apple music, etc. noteburner, deemix, deezloader, musify, notecable, and noteburner are all ones that I tried where they successfully ripped audio from streams to flac but spectrals showed the flac was transcoded from lossy source.

Granted this is basically inaudible and super nitpicky, like honestly show me the person who can truly hear the difference between a modern 320 mp3 and a 16bit flac in a double blind situation. But if you’re using these rippers to upload to a private tracker, especially a popular release, guarantee someone will check

That said streamrip can get deezer 16 bit, 24bit tidal mqa (which isn’t actually lossless), and 24/192 qobuz but you need a premium account and things break from time to time

https://github.com/nathom/streamrip

Apple music remains a very closely guarded secret although I recently saw this: https://github.com/zhaarey/apple-music-downloader . I have to create a burner and vm to play with this though bc it’s pretty sketch

only thing I would add to this thread is occasionally usenet can be handy if you’re looking for music that’s fairly mainstream. If you’re looking for some weird 7” that was self released with 50 copies that’s obviously not gonna work though

Most of the publicly available ones that rip streaming services to lossless fail spectral checks. They can rip high quality MP3s which they then transcode to flac but if you were to upload this somewhere like RED you’d get shit for it. Literally every one I’ve found has failed the spectral check thread on RED

This MAY not apply for Spotify as they don’t stream lossless to begin with

The people that can actually rip fully lossless files from deezer, apple music, qobuz, tidal, etc guard that info like crazy. The second the method gets public you better believe all those companies are patching it out. Plus it probably doesn’t hurt that being the one with the keys to the method gets you like infinite ratio

oh duh

https://github.com/wasi-master/13ft/blob/main/docker-compose.yaml - this is the 12ft.io replacement i use. there are a few clones but this is the one I like, it's real barebones and uses very little overhead

https://komga.org/ - komga library https://github.com/Snd-R/komf - komf - this isn't strictly necessary but it fetches metadata for your komga library from sites like manga updates. can be a bit of a pain to configure https://github.com/Snd-R/komf-userscript - this is a tampermonkey script that makes komf MUCH easier to use https://github.com/dazedcat19/FMD2 - this is an app that rips manga from most of the "free manga" indexer sites like mangadex, bato, etc. docker and kubernetes version at https://github.com/ElryGH/docker-FMD2

you can read directly via komga web but frankly it kind of sucks for that. i prefer using an app. tachiyomi was the gold standard but companies threatened it and they stopped development. there are several forks now that are all good in various ways. i prefer mihon https://mihon.app/ but there are alternatives that have different feature sets

A clone of 12ft.io but the old version before they got into beef with the New York Times and kneecapped it. It doesn’t work on every single article with a paywall but it works on the overwhelming majority (including New York Times articles)

And it doesn’t really count because I knew I’d use it but komga+komf+fmd2. I list it though because I didn’t realize I’d use this stack so much. I can now read with my phone, my laptop, my ereader, etc. tachiyomi/mihon works, reading progress is synced, and I never have to visit one of those garbage manga aggregation sites ever again

My father in law, who is otherwise a very nice person, overuses ellipses in his informal written communication and it bothers the hell out of me

The crazy thing is he is extremely well educated. He was a professor at a super classy university, had a very distinguished career, etc. dude can write. But hand him an iphone and all of a sudden he can’t end a sentence definitively…

Do these companies put their fingers on the scale? Almost certainly

But it’s exactly what he said that’s what brought us here. They have not particularly given a shit about politics (aside from no taxes and let me do whatever I want all the time). However, the algorithms will consistently reward engagement. Engagement doesn’t care about “good” or “bad”, it just cares about eyes on it, clicks, comments. And who wins that? Controversial bullshit. Joe Rogan getting elon to smoke weed. Someone talking about trans people playing sports. Etc

This is a natural extension of human behavior. Human behavior occurs because of a function. I do x because of a function, function being achieving reinforcement. Attention, access to something, escaping, or automatic.

Attention maintained behaviors are tricky because people are shitty at removing attention and attention is a powerful reinforcer. You tell everyone involved “this person feeds off of your attention, ignore them”. Everyone agrees. The problematic person pulls their bullshit and then someone goes “stop it”. They call it negative reinforcement (this is not negative reinforcement. it’s probably positive reinforcement. It’s maybe positive punishment, arguably, because it’s questionable how aversive it is).

You get people to finally shut up and they still make eye contact, or non verbal gestures, or whatever. Attention is attention is attention. The problematic person continues to be reinforced and the behavior stays. You finally get everyone to truly ignore it and then someone new enters the mix who doesn’t get what’s going on.

This is the complexity behind all of this. This is the complexity behind “don’t feed the trolls”. You can teach every single person on Lemmy or reddit or whoever to simply block a malicious user but tomorrow a dozen or more new and naive people will register who will fuck it all up

The complexity behind the algorithms is similar. The algorithms aren’t people but they work in a similar way. If bad behavior is given attention the content is weighted and given more importance. The more we, as a society, can’t resist commenting, clicking, and sharing trump, rogan, peterson, transphobic, misogynist, racist, homophobic, etc content the more the algorithms will weight this as “meaningful”

This of course doesn’t mean these companies are without fault. This is where content moderation comes into play. This is where the many studies that found social media lead to higher irritability, more passive aggressive behavior and lower empathetization could potentially have led us to regulate these monsters to do something to protect their users against the negative effects of their products

If we survive and move forward in 100 years social media will likely be seen in the way we look at tobacco now. An absolutely dangerous thing that was absurd to allowed to exist in a completely unregulated state with 0 transparency as to its inner workings

I mean yes but it’s also the official title for the English release of the game.

Like to be clear I’m not being the person who’s like “oh have you seen Kôkaku Kidôtai?” And then you’re like “what the fuck is that” and I’m like “uh, I guess if you’re uncultured you might know it as ghost in the shell.” And then everyone in the room groans because of fucking course every single person who speaks English as a native language has always called it ghost in the shell

なに?!

The new one has more game music than old ones did. But to get a lot of it you have to subscribe. Thankfully the subscription isn’t terribly expensive ($10/3mo) and it’s easy to get it in a way that doesn’t auto renew. Music licensing is stupid though so music games are dying and will probably forever be subscription services going forward. The days of buying a game like guitar hero are long gone.

It has the classic ones like Mario medley, Zelda overworld, Kirby, persona 5, undertale, etc. but the game pass adds stuff like tekken, id@lmaster, ridge racer, tales of symphonia, ace combat, etc.

it’s a weird mix that’s definitely missing a lot of iconic stuff though. The push is definitely more pop/vocaloid/anime music

Alternatively you can get something like opentaiko or tjaplayer (closer to the real game) and use custom charts from a site like https://ese.tjadataba.se/ESE/ESE . You need a pc but it doesn’t require a particularly great pc and pretty much every drum controller, including the official console ones, work on pc.

I definitely wish it was more popular in the west. Online play is an absolute ghost town unless you play during Japan time. Like if you play during peak us hours matchmaking will literally spend 20-30 minutes to find no one.

That’s not Japanese fyi, 太鼓の達人 is the Japanese name

It is Japanese drumming game with an associated controller, I posted a guide with pictures to modify the drum controller so it’s more sensitive to being hit