I think it's really interesting how people interpret music completely different than other forms of art. People sometimes assume the worst instead of realizing that the singer is speaking from another perspective. So for example if a writer has a first person perspective of a killer/rapist you wouldn't make an association that the author is anything of the sort. But if they wrote a song and sang it then people would question if they really felt that way. Polly is a great example. By many accounts (Kathleen Hanna , Kim Gordon) Cobain championed feminism and woman's rights but the lyrics of Polly are brutal and from the perpetrator view. Randy Newman's - Rednecks is a tough one to listen to. You can understand how it is trying to point out ignorance and racism like Blazing Saddles but it's sung in first person and should never be played in a public setting. Oingo Bongo's - Little Girs was always a bit creepy now seems to age poorly the more time has gone on. Minor Threat - Guilty of being white is a tough listen because you know racist people think this is a rallying cry instead of the emotionly reaction from a a teenage kid who was bullied in highschool for being white.
flux
- I've got one hand in my pocket and the other one is holding a .45
- Never miss (Not once)
- Don't slip the grip
Yah. Pearl Jam spent years in limbo because they thought everyone would join the fight. But no big name artists ever did because no one wanted to rock the boat. During COVID ticketmaster / clear channel/liveNation/ iHeartRadio whatever have continued to consolidate. They own the tickets they own the resell websites they own most of the big venues they can demand merch sales at the venue. If you refuse they can remove you from playing their venues.
At this point it would take 10+ huge artists to final kill this beast. We are talking Taylor Swift / Beyonce big that actually have complete creative control. I don't even think most top artists have that. They would have to organize everything and they would probably lose union contracts for stage craft and audio, lights, transportation. Basically they would have to start their own ticket & touring companys that outdoor fields and sports areas? and would have to stick it out for years and convince a good majority to stop buying tickets from any place using Ticketmaster.
What about rclone? I've found it to be amazing for cloning or copying.
With how big and cheap they are and a lot more mounted to the wall I'd be curious how many tvs get left because it's easy to just grab laptops, game systems, etc. It still takes two people to carry those huge thin TVs and they don't really fit in a backpack.
Anyone use this or something similar for the shield? Looking to eliminate the ads.
I didn't know. I'll have a look. thanks for sharing.
Tons of cool ZZ top facts. How about how "Master of sparks" tells the true story[1] of Billy Gibbons and his friend R.K. Bullock who with a workman, welded together a steel ball cage with a seat and seatbelt fitted inside. They placed the cage into the bed of a truck and at night, after reaching a speed of 60 miles per hour (97 km/h), on Highway 6 near Houston (also known as Jack Rabbit Road), rolled the cage out the back with the hapless narrator and friend taking a ride inside. The cage generated a tail of sparks on the road but in its crushed condition stopped rolling. Still moving at high speed, the now egg shaped cage crashed into a fence. Both occupants survived relatively unscathed and were awarded the title "Master of Sparks" by the cheering crowd.
Sure but I think it is less immediate. In music we have to make a decision if they are speaking about themselves nonfiction or fiction and in a book or movie we assume they are creating fictional character.