JustinHanagan

joined 1 year ago
[–] [email protected] 3 points 10 months ago* (last edited 10 months ago)

Eh, what you've identified as the thesis is actually just a butt-covering footnote to prevent Reddit-style "ackchually" comments. When I wrote it I was still submitting posts to Reddit. I guess that's on me for assuming the central point was more obvious.

[–] [email protected] 4 points 10 months ago (1 children)

For sure, they also don't congregate in Williamsburg much anymore.

[–] [email protected] 8 points 10 months ago* (last edited 10 months ago) (6 children)

Something I think about a lot is how the "hipster" movement in the early 2000s was extremely anti- consumer culture. They were building easy to repair "fixie" bikes instead of driving cars, they were brewing their own beer and buying/mending clothes they bought second hand. They were moving to abandoned factory loft apartments in similarly abandoned urban areas.

Then, the artists living in lofts, making zines and and knitting sweaters got priced out. And now in pop culture the term "hipster" has largely replaced "yuppie" to mean an elitist, snobby, and extremely pro consumer culture sort of person, which is basically the opposite of what the young people in the early 2000s were doing. I'm not a conspiracy theorist but I have to imagine that the big corps saw the movement as a threat, and did an classic rebrand on them, like car companies did with the minivan to sell more SUVs.

 

This is an essay I wrote in 2022, inspired by Kyle Chaka's 2016 viral essay, "Welcome to Airspace". After seeing an excerpt from Kyle's new book on the front of /c/Technology, I thought y'all might be interested in reading this piece of mine, which is less about the design of physical spaces, and more about The Algorithm™'s influence on creative practice in general.

This is a conversation I can have a million times, so I hope you enjoy.

[–] [email protected] 4 points 10 months ago* (last edited 10 months ago)

The feedback loop is the most disturbing part, IMO. You have an algorithm deciding what gets popular, which means creatives hoping to be financially sustainable have to cater to it to some degree, which reinforces the algorithm and removes a little bit of uniqueness from society.

Creative people have always had to consider"what sells" to some degree if they want to make money from their effort, but we've gone beyond artists making "art with some degrees of marketability" into making products called "art" with little of the emotional/intellectual "challenge' that comes with unique works.

[–] [email protected] 9 points 10 months ago* (last edited 10 months ago)

My first reaction was that this excerpt reminds me of a piece I wrote two years ago called "The Airbnb-ification of the arts", about how artists looking to make a career out of art are forced to cater to an algorithm that favors comfortable predictability over depth or uniqueness. My essay was heavily inspired by Kyle Chayka's famous 2016 essay "Welcome to Airspace".

Jokes on me for not reading the byline because it turns out Kyle wrote the book this excerpt is from! lol good for him. Looking forward to reading it.

I'm curious to know if he has a presence on Mastodon or any other Social Web apps, he's a really great writer I'd like to follow.

[–] [email protected] 2 points 10 months ago

Wow, I've never heard music with such a stunning lack of soul before! 10/10 I bought every album.

 

Because artists need to advertise too.

[–] [email protected] 1 points 10 months ago

Exactly, well said.

[–] [email protected] 16 points 10 months ago* (last edited 10 months ago) (5 children)

When I switched to Substack it was just a Mailchimp alternative (I don't think Mailchimp moderates what they send out either). They were a service, not a platform. But since then Substack has added a lot of social elements. And now that I've been made aware of their stance, I'm planning my exit ASAP.

[–] [email protected] 10 points 10 months ago* (last edited 10 months ago) (1 children)

Exactly. FTA:

"Trust and safety” departments are kinda like “Human Resources” departments. They exist to help the company avoid expensive lawsuits and expensive PR blunders. These departments, I assume, are comprised of good-hearted people who care deeply about their work and the well being of others. But they are fighting a battle that the companies do not actually want to end.

[–] [email protected] 5 points 11 months ago (2 children)

It's literally in the article lol

 

Google takes heat for a misleading AI demo video that hyped up its GPT-4 competitor.

[–] [email protected] 3 points 1 year ago

Very well said all around, (and in many fewer words than it took me) I may actually quote you in the future! Hadn't seen that 2018(!) Esquire article before today either. Kind of sad "Twitter without Nazis" wasn't a more compelling selling point. Just speaks to the power of network effects, I suppose.

[–] [email protected] 2 points 1 year ago

I look at that as as proof it wasn't written by GPT.

 

"If you’ve ever hosted a potluck and none of the guests were spouting antisemitic and/or authoritarian talking points, congratulations! You’ve achieved what some of the most valuable companies in the world claim is impossible."

 

"Lemmy might not ever influence global culture to the degree that Facebook and Twitter once did. But it proves that 'people constructively and healthily socializing via the internet' is entirely possible without being forced to tolerate any more nonsense than one would normally expect when humans get together. 'Social media: The Business' on the other hand cannot exist without the garbage."

 

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