Ask Lemmy

For one thing, too many works of fiction involve a romance. I don't judge the romances itself, I would never get between even multiple people in love when on a screen, but these things don't always have to be in the boundaries of the story. Even works like DC Comics which promote themselves on a realism basis give romances out like a token. Which is why the ending to Battleship saved that movie in my eyes.

Just finished watching The 100 on Netflix. The writing was pretty terrible.

• Literally every bad action performed by a character (up to and including genocide) was justified as "I had no choice". They should have called it, "The no choice show". I would have loved to have seen a counter in the corner of the screen that ticked up every time that was said, which was at least once per episode.

• Seconds before any kind of solution that would have solved major problems was enacted, a character (different each time)- previously rational, but now for some reason completely chaotic- would jump in and destroy the McGuffin and fuck everyone over because it was in their personal interest. Every single fucking time, even in the final episode. It's no longer a plot twist, it's just lazy AF writing. It also meant that the characters had no consistency or predictability of motive, which meant their believability went down the toilet.

I'm going to stop there but believe me, that's the tip of the iceberg.

That show was proof that Netflix will greenlight just about anything.

"I am not [well known character archetype]"

does literally everything possible to follow that archetype

^cough^ ^cough^ ^one^ ^piece^ ^cough^ ^cough^

The way GOT ended with making the storyteller (the writer) become an important part of the story. The writers self insert is a problem in a lot of media but particular in fantasy.

The "Deckbuilder" litrpgs where the words card and deck dont mean anything and its just skills