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An AI Singer-Songwriter Just Debuted Her Original Song—And The Responses Are Just Brutal
(www.comicsands.com)
this post was submitted on 03 Dec 2023
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Technology
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This is a relevant issue to the question!
If I take a dose of LSD and paint the colors I hallucinate, is that creative? I'd argue it's not.
Only when I, the subjective self, curate my own thoughts and sensations can I engage in a creative process. I can think about my own thoughts without going insane (how do the colors make me feel, what do the colors mean?) and that's a fundamental part of creativity and intelligence. Conceptualization is key to subjectivity.
I don't think this is far off. I just don't think we're there, either, and we should be skeptical of marketing hype.
i don’t agree with that definition of creative… there’s lots of engineering work that’s creative: writing code and designing systems can be a very creative process, but doesn’t involve feeling… it’s problem solving, and thats a creative process. you’re narrowly defining creativity as artistic expression of emotion, however there’s lots of ways to be creative
now, i think thats a bit of a strawman (so i’ll elaborate on the broader point), but i think its important to define terms
i agree we should be skeptical of marketing hype for sure: the type of creativity that i believe ML is currently capable of is directionless. it doesn’t understand what it’s creating… but the truth lies somewhere in the middle
ML is definitively creating something new that didn’t exist before (in fact i’d say that its trouble with hallucinations of language are a good example of that: it certainly didn’t copy those characters/words from anywhere!)… this fits the easiest definition of creative: marked by the ability or power to create
the far more difficult definition is: having the quality of something created rather than imitated
the key here being “rather than imitated” which is a really hard thing to prove, even for humans! which is why our copyright laws basically say that if you have evidence that you created something first, you pretty much win: we don’t really try to decide whether something was created or imitated
with things like transformative works or things that are similar, it’s a bit more of a grey area… but the argument isn’t about whether something is an imitation; rather it’s argued about how different the work is from the original