this post was submitted on 23 Aug 2024
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I work at a newspaper as both a writer and photographer. I deal with images all day.
Photo manipulation has been around as long as the medium itself. And throughout the decades, people have worried about the veracity of images. When PhotoShop became popular, some decried it as the end of truthful photography. And now here’s AI, making things up entirely.
So, as a professional, am I worried? Not really. Because at the end of the day, it all comes down to ‘trust and verify when possible’. We generally receive our images from people who are wholly reliable. They have no reason to deceive us and know that burning that bridge will hurt their organisation and career. It’s not worth it.
If someone was to send us an image that’s ‘too interesting’, we’d obviously try to verify it through other sources. If a bunch of people photographed that same incident from different angles, clearly it’s real. If we can’t verify it, well, we either trust the source and run it, or we don’t.
Personally I think this kind of response shows how not ready we are, because it is grounded in the antiquated assumption that it is just more of the same old instead of a complete revolution in both the quality and quantity of fakery going to happen.
I disagree, they are not talking about the online low trust sources that will indeed undergo massive changes, they’re talking about organisations with chains of trust, and they make a compelling case that they won’t be affected as much.
Not that you’re wrong either, but your points don’t really apply to their scenario. People who built their career in photography will have t more to lose, and more opportunity to be discovered, so they really don’t want to play silly games when a single proven fake would end their career for good. It’ll happen no doubt, but it’ll be rare and big news, a great embarrassment for everyone involved.
Online discourse, random photos from events, anything without that chain of trust (or where the “chain of trust” is built by people who don’t actually care), that’s where this is a game changer.
Sounds like the photographic equivalent of doping