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this post was submitted on 06 Mar 2024
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Actually this is a good deal. Curation on tidal is good, meaning they have cool playlists handpicked by people. In the past when I used it it was with questionable MQA encoding, which had a lot of controversy. But 24/192khz flac, If you care about audio quality is a better offer than Qobuz.
Can't go wrong for the price. But I think the main driver should be audio quality. Because FLAC files (esp 24/192khz) can be very data hungry, for those who use it mobile only. So you need to be careful with that. You can use lower sample rates and higher bitrate mp3 as well if my memory serves well. But that defeats a bit the purpose of what Tidal stands for
But 24-bit audio is useless for playback. The difference is literally inaudible. In fact, the application of dynamic range compression during the mixing/mastering process has a far greater impact on perceptible audio quality than sample rate or bitrate does (the placebo effect notwithstanding).
If you care about audio quality, seek out album masters and music that is well-recorded and not dynamically crushed to oblivion. The bitrate isn't really all that important, in the greater scheme of things.
That writeup from Xiph is excellent. The comparison with adding ultraviolet and infrared to video makes so much sense. But you're dealing with audiophiles who seriously consider getting hi-end power and ethernet cables. I read somewhere that there was a listening test with speakers connected with hanger wire - and audiophiles couldn't tell.
In the end, it's all physics. I could never hear a quality improvement beyond normal 16bit, 320kbps, no matter how demanding the music.
As a recovering audiophile, I can safely say the hobby is heavily based around FOMO (the nagging doubt that something, somewhere, in your audio chain is causing a loss of audio quality), and digital audio is no exception. Not only is 320kbps more than enough, even with $1000s worth of equipment, but with codecs more efficient than MP3 (especially Opus), even 128kbps can be good enough to sound identical to lossless.
If you have plenty of local storage then 16-bit FLAC is ideal, but if you are just streaming then you really don't need a lossless service except to keep the FOMO at bay.